Success is achieved by turning random chance to your advantage while monitoring a constantly fluctuating playing field. Both games are about set-ups and pay-offs.
When it comes to gameplay, Candy Crush has more in common with Tetris. Completing the harder missions requires strategic planning, tactical risk-taking and a zen-like ability to resist smashing your iPad against the wall and using one of the shards to carve "I HATE YOU, LEVEL 125" into your own face. In Candy Crush, every level is an individually designed puzzle with a specific objective. But in Bejeweled, the goal is simply to score as many points as possible. It's true that Candy Crush involves swapping brightly coloured objects around so they match up and disappear. That's like saying, "Oh, I see golf is played with small white balls, isn't it just Hungry Hippos?" Much of this loathing is based on misconceptions. It's how I feel about Candy Crush Saga, the match-three puzzle game everyone loves to hate. (I've read all the books and seen all the films, obviously.) Not about Twilight, which is hokey old nonsense that sends out dubious messages about gender roles and obsessive behaviour through the medium of Robert Pattinson's hair. "The sight of stuffy, bespectacled greying men berating films aimed primarily at teenage girls is as farcical as it is depressing." Thing is, it's really hard to play BioShock while breastfeeding. Who feel not just enabled but dutybound to be sniffy about Twilight without having seen the films, read the books, or attempted to understand why they mean so much to so many," he wrote. A year ago, film critic Mark Kermode came out in defence of the Twilight movies.
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